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Global Digital Audio Workstation Market: By Component: Software, Services; By Type: Editing, Mixing, Recording; By Operating System: Android, Mac, Windows, Linux; By End User; By Deployment Model; Regional Analysis; Historical Market and Forecast (2017-2027); Market Dynamics; Competitive Landscape; Industry Events and Developments
Global Digital Audio Workstation Market Outlook
The global market for digital audio workstation reached about USD 2.88 billion in 2021. The market is expected to grow at a CAGR of about 7.80% in the forecast period of 2022-2027. It will reach an approximate value of USD 4.52 billion by 2027, driven by the increasing demand for high-definition media.
North America to be the Among the Leading Regional Markets Due to the Rapid Technological Advances
North America has been leading the global market for digital workstations since the historical period. It will continue to show its dominance during the forecast period as well, owing to the increasing adoption of advanced technologies, including Android, Linux, and other operating systems, and the rising digitisation of the music industry. Due to the technological advancements and digitisation of music instruments, the production process has become smoother with each step, and the entertainment industry is progressively moving towards digital audio workstations as the need for music production of higher quality rises with the growing number of shows, internet videos, games, film scores, and others.
The established players in North America also incorporate AI and Cloud-based systems to increase the scale and functionality. It offers reduced cost and easy integration, provides pre-composed genre models and enables processing, importing, and exporting in any file format, making organisations much more manageable and raising the adoption of digital audio workstations.
Market Segmentations
Digital Audio Workstation (DAW) is an electric device or music production software used to record computer audio. It works on both MAC and Windows, allowing the user to record, manipulate different aspects of music, and create audio files.
The digital audio workstation market, by component, can be divided into:
- Software
- Services
- Professional
- Managed
By type, the global market can be divided into:
- Editing
- Mixing
- Recording
Based on the operating system, the digital audio workstation can be divided into:
- Android
- Mac
- Windows
- Linux
The end-users of the digital audio workstation in the market are:
- Artist/Performers
- Education Institutes
- Music Studios
- Professionals/Audio Engineers and Mixers
- Songwriters and Production teams
- Electronic Musicians
- Others
Among these professionals/ audio engineers and mixers are expected to be the major end-users.
The deployment models of digital audio workstations are:
- On-Premises
- Cloud
The regional markets for digital audio workstations can be divided into North America, Europe, the Asia Pacific, Latin America, the Middle East, and Africa.
Technological Advancements and Digitisation are Bolstering the Market Growth
The consumer’s demand for high-definition audio from the media industry is increasing. To meet the requirements, digital audio workstations are advancing fast to provide a smoother experience while working with music. Digitisation has made it much easier to buy and access music, all it needs is a few clicks, and it is available in the device's music library. Technological advancement has also made it possible to stream music on devices, it can be played from anywhere in the world, and it does not cover much of the storage space, making it significantly user-friendly, which further promotes the market growth of digital audio workstations.
Presently, digital audio workstations are being used almost in audio and video processing systems, and the user base is continuously growing due to the sheer accessibility it provides. It also lowers the entry barrier for budding professionals. It gives music producers, DJs, audio engineers, and professionals the ability to hold live performances more efficiently and work on the fly; because of this, the Android-based systems and application software are gaining popularity, especially in the Asia Pacific region, which compliments the growth of the market in the region.
Key Players in the Global Market for Digital Audio Workstations
The report gives a detailed analysis of the following key players in the global digital audio workstations market, covering their competitive landscape, capacity, and latest developments like mergers, acquisitions, and investments, expansions of capacity, and plant turnarounds:
- Apple Inc.
- Adobe Inc.
- Ableton AG
- Steinberg Media Technologies GmbH
- Acoustica Inc.
- PreSonus Audio Electronics, Inc.
- Others
The comprehensive EMR report provides an in-depth assessment of the market based on the Porter's five forces model along with giving a SWOT analysis.
Key Highlights of the Report
| REPORT FEATURES | DETAILS |
|---|---|
| Base Year | 2021 |
| Historical Period | 2017-2021 |
| Forecast Period | 2022-2027 |
| Scope of the Report |
Historical and Forecast Trends, Industry Drivers and Constraints, Historical and Forecast Market Analysis by Segment:
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| Breakup by Component |
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| Breakup by Type |
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| Breakup by Operating System |
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| Breakup by End User |
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| Breakup by Deployment Model |
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| Breakup by Region |
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| Market Dynamics |
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| Competitive Landscape |
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| Companies Covered |
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| Report Price and Purchase Option | Explore our purchase options that are best suited to your resources and industry needs. |
| Delivery Format | Delivered as an attached PDF and Excel through email, with an option of receiving an editable PPT, according to the purchase option. |
*We at Expert Market Research always strive to give you the latest information. The numbers in the article are only indicative and may be different from the actual report.
1 Preface
2 Report Coverage – Key Segmentation and Scope
3 Report Description
3.1 Market Definition and Outlook
3.2 Properties and Applications
3.3 Market Analysis
3.4 Key Players
4 Key Assumptions
5 Executive Summary
5.1 Overview
5.2 Key Drivers
5.3 Key Developments
5.4 Competitive Structurea
5.5 Key Industrial Trends
6 Market Snapshot
6.1 Global
6.2 Regional
7 Industry Opportunities and Challenges
8 Global Digital Audio Workstation Market Analysis
8.1 Key Industry Highlights
8.2 Global Digital Audio Workstation Historical Market (2017-2021)
8.3 Global Digital Audio Workstation Market Forecast (2022-2027)
8.4 Global Digital Audio Workstation Market by Component
8.4.1 Software
8.4.1.1 Market Share
8.4.1.2 Historical Trend (2017-2021)
8.4.1.3 Forecast Trend (2022-2027)
8.4.2 Services
8.4.2.1 Market Share
8.4.2.2 Historical Trend (2017-2021)
8.4.2.3 Forecast Trend (2022-2027)
8.4.2.4 Breakup by Type
8.4.2.4.1 Professional
8.4.2.4.2 Managed
8.5 Global Digital Audio Workstation Market by Type
8.5.1 Editing
8.5.1.1 Market Share
8.5.1.2 Historical Trend (2017-2021)
8.5.1.3 Forecast Trend (2022-2027)
8.5.2 Mixing
8.5.2.1 Market Share
8.5.2.2 Historical Trend (2017-2021)
8.5.2.3 Forecast Trend (2022-2027)
8.5.3 Recording
8.5.3.1 Market Share
8.5.3.2 Historical Trend (2017-2021)
8.5.3.3 Forecast Trend (2022-2027)
8.6 Global Digital Audio Workstation Market by Operating System
8.6.1 Android
8.6.1.1 Market Share
8.6.1.2 Historical Trend (2017-2021)
8.6.1.3 Forecast Trend (2022-2027)
8.6.2 Mac
8.6.2.1 Market Share
8.6.2.2 Historical Trend (2017-2021)
8.6.2.3 Forecast Trend (2022-2027)
8.6.3 Windows
8.6.3.1 Market Share
8.6.3.2 Historical Trend (2017-2021)
8.6.3.3 Forecast Trend (2022-2027)
8.6.4 Linux
8.6.4.1 Market Share
8.6.4.2 Historical Trend (2017-2021)
8.6.4.3 Forecast Trend (2022-2027)
8.7 Global Digital Audio Workstation Market by End User
8.7.1 Artists/Performers
8.7.1.1 Market Share
8.7.1.2 Historical Trend (2017-2021)
8.7.1.3 Forecast Trend (2022-2027)
8.7.2 Education Institutes
8.7.2.1 Market Share
8.7.2.2 Historical Trend (2017-2021)
8.7.2.3 Forecast Trend (2022-2027)
8.7.3 Music Studios
8.7.3.1 Market Share
8.7.3.2 Historical Trend (2017-2021)
8.7.3.3 Forecast Trend (2022-2027)
8.7.4 Professionals/Audio Engineers and Mixers
8.7.4.1 Market Share
8.7.4.2 Historical Trend (2017-2021)
8.7.4.3 Forecast Trend (2022-2027)
8.7.5 Songwriters and Production teams
8.7.5.1 Market Share
8.7.5.2 Historical Trend (2017-2021)
8.7.5.3 Forecast Trend (2022-2027)
8.7.6 Electronic Musicians
8.7.6.1 Market Share
8.7.6.2 Historical Trend (2017-2021)
8.7.6.3 Forecast Trend (2022-2027)
8.7.7 Others
8.8 Global Digital Audio Workstation Market by Deployment Model
8.8.1 On Premises
8.8.1.1 Market Share
8.8.1.2 Historical Trend (2017-2021)
8.8.1.3 Forecast Trend (2022-2027)
8.8.2 Cloud
8.8.2.1 Market Share
8.8.2.2 Historical Trend (2017-2021)
8.8.2.3 Forecast Trend (2022-2027)
8.9 Global Digital Audio Workstation Market by Region
8.9.1 Market Share
8.9.1.1 North America
8.9.1.2 Europe
8.9.1.3 Asia Pacific
8.9.1.4 Latin America
8.9.1.5 Middle East and Africa
9 Regional Analysis
9.1 North America
9.1.1 Historical Trend (2017-2021)
9.1.2 Forecast Trend (2022-2027)
9.1.3 Breakup by Country
9.1.3.1 United States of America
9.1.3.2 Canada
9.2 Europe
9.2.1 Historical Trend (2017-2021)
9.2.2 Forecast Trend (2022-2027)
9.2.3 Breakup by Country
9.2.3.1 United Kingdom
9.2.3.2 Germany
9.2.3.3 France
9.2.3.4 Italy
9.2.3.5 Others
9.3 Asia Pacific
9.3.1 Historical Trend (2017-2021)
9.3.2 Forecast Trend (2022-2027)
9.3.3 Breakup by Country
9.3.3.1 China
9.3.3.2 Japan
9.3.3.3 India
9.3.3.4 ASEAN
9.3.3.5 Australia
9.3.3.6 Others
9.4 Latin America
9.4.1 Historical Trend (2017-2021)
9.4.2 Forecast Trend (2022-2027)
9.4.3 Breakup by Country
9.4.3.1 Brazil
9.4.3.2 Argentina
9.4.3.3 Mexico
9.4.3.4 Others
9.5 Middle East and Africa
9.5.1 Historical Trend (2017-2021)
9.5.2 Forecast Trend (2022-2027)
9.5.3 Breakup by Country
9.5.3.1 Saudi Arabia
9.5.3.2 United Arab Emirates
9.5.3.3 Nigeria
9.5.3.4 South Africa
9.5.3.5 Others
10 Market Dynamics
10.1 SWOT Analysis
10.1.1 Strengths
10.1.2 Weaknesses
10.1.3 Opportunities
10.1.4 Threats
10.2 Porter’s Five Forces Analysis
10.2.1 Supplier’s Power
10.2.2 Buyer’s Power
10.2.3 Threat of New Entrants
10.2.4 Degree of Rivalry
10.2.5 Threat of Substitutes
10.3 Key Indicators for Demand
10.4 Key Indicators for Price
11 Competitive Landscape
11.1 Market Structure
11.2 Company Profiles
11.2.1 Apple Inc.
11.2.1.1 Company Overview
11.2.1.2 Product Portfolio
11.2.1.3 Demographic Reach and Achievements
11.2.1.4 Certifications
11.2.2 Adobe Inc.
11.2.2.1 Company Overview
11.2.2.2 Product Portfolio
11.2.2.3 Demographic Reach and Achievements
11.2.2.4 Certifications
11.2.3 Ableton AG
11.2.3.1 Company Overview
11.2.3.2 Product Portfolio
11.2.3.3 Demographic Reach and Achievements
11.2.3.4 Certifications
11.2.4 Steinberg Media Technologies GmbH
11.2.4.1 Company Overview
11.2.4.2 Product Portfolio
11.2.4.3 Demographic Reach and Achievements
11.2.4.4 Certifications
11.2.5 Acoustica Inc.
11.2.5.1 Company Overview
11.2.5.2 Product Portfolio
11.2.5.3 Demographic Reach and Achievements
11.2.5.4 Certifications
11.2.6 PreSonus Audio Electronics, Inc.
11.2.6.1 Company Overview
11.2.6.2 Product Portfolio
11.2.6.3 Demographic Reach and Achievements
11.2.6.4 Certifications
11.2.7 Others
12 Industry Events and Developments
List of Key Figures and Tables
1. Global Digital Audio Workstation Market: Key Industry Highlights, 2017 and 2027
2. Global Digital Audio Workstation Historical Market: Breakup by Component (USD Billion), 2017-2021
3. Global Digital Audio Workstation Market Forecast: Breakup by Component (USD Billion), 2022-2027
4. Global Digital Audio Workstation Historical Market: Breakup by Type (USD Billion), 2017-2021
5. Global Digital Audio Workstation Market Forecast: Breakup by Type (USD Billion), 2022-2027
6. Global Digital Audio Workstation Historical Market: Breakup by Operating System (USD Billion), 2017-2021
7. Global Digital Audio Workstation Market Forecast: Breakup by Operating System (USD Billion), 2022-2027
8. Global Digital Audio Workstation Historical Market: Breakup by End User (USD Billion), 2017-2021
9. Global Digital Audio Workstation Market Forecast: Breakup by End User (USD Billion), 2022-2027
10. Global Digital Audio Workstation Historical Market: Breakup by Deployment Model (USD Billion), 2017-2021
11. Global Digital Audio Workstation Market Forecast: Breakup by Deployment Model (USD Billion), 2022-2027
12. Global Digital Audio Workstation Historical Market: Breakup by Region (USD Billion), 2017-2021
13. Global Digital Audio Workstation Market Forecast: Breakup by Region (USD Billion), 2022-2027
14. North America Digital Audio Workstation Historical Market: Breakup by Country (USD Billion), 2017-2021
15. North America Digital Audio Workstation Market Forecast: Breakup by Country (USD Billion), 2022-2027
16. Europe Digital Audio Workstation Historical Market: Breakup by Country (USD Billion), 2017-2021
17. Europe Digital Audio Workstation Market Forecast: Breakup by Country (USD Billion), 2022-2027
18. Asia Pacific Digital Audio Workstation Historical Market: Breakup by Country (USD Billion), 2017-2021
19. Asia Pacific Digital Audio Workstation Market Forecast: Breakup by Country (USD Billion), 2022-2027
20. Latin America Digital Audio Workstation Historical Market: Breakup by Country (USD Billion), 2017-2021
21. Latin America Digital Audio Workstation Market Forecast: Breakup by Country (USD Billion), 2022-2027
22. Middle East and Africa Digital Audio Workstation Historical Market: Breakup by Country (USD Billion), 2017-2021
23. Middle East and Africa Digital Audio Workstation Market Forecast: Breakup by Country (USD Billion), 2022-2027
24. Global Digital Audio Workstation Market Structure
Key Questions Answered in the Report
In 2021, the global market attained a value of nearly USD 2.88 billion.
The market is projected to grow at a CAGR of 7.80% between 2022 and 2027.
The market is estimated to witness healthy growth in the forecast period of 2022-2027 to reach USD 4.52 billion by 2027.
The industry is driven by the technologically advancing industry and the accessibility provided by the digitisation of music.
The primary industry trend is the changing generation and increasing adoption of digital music.
The major regions in the industry are North America, Europe, Asia Pacific, Latin America, the Middle East, and Africa, with North America being a dominant region for the market.
The components in the market are software and services, where services can be further divided into professional and managed.
The types of global digital audio workstations include Editing, Mixing, and Recording.
The operating systems used are Android, Mac, Windows, and Linux.
The end-users in the market include artists/performers, education institutes, music studios, professionals/audio engineers and mixers, songwriters and production teams, and electronic musicians, among others.
The primary end-users of the digital audio workstation industry are professionals/ audio engineers and mixers.
The deployment models of the digital audio workstations market include on-premises and cloud.
The major players in the industry are Apple Inc., Adobe Inc., Ableton AG, Steinberg Media Technologies GmbH, Acoustica Inc., and PreSonus Audio Electronics, Inc., among others.
Analyst Review
The global digital audio workstation market attained a value of USD 2.88 billion in 2021, driven by the rising adoption of digitization. Aided by the growing technological advancements and accessibility, the market is expected to witness further growth in the forecast period of 2022-2027, growing at a CAGR of 7.80%. The market is projected to reach USD 4.52 billion by 2027.
EMR’s meticulous research methodology delves deep into the market, covering the macro and micro aspects of the industry. Based on its components, the digital audio workstations market can be segmented into software and services, where services can be further divided into professional and managed. The types can be divided into editing, mixing, and recording and the operating system can be divided into Android, Mac, Windows, and Linux. The end-users can be divided into artists/performers, education institutes, music studios, professionals/audio engineers and mixers, songwriters and production teams, and electronic musicians, among others. The deployment model can be divided into on-premises and cloud. The regional markets include North America, Latin America, the Middle East, Africa, Europe, and Asia Pacific, with North America being the leading market. The key players in the above market are Apple Inc., Adobe Inc., Ableton AG, Steinberg Media Technologies GmbH, Acoustica Inc., and PreSonus Audio Electronics, Inc., among others.
EMR’s research methodology uses a combination of cutting-edge analytical tools and the expertise of their highly accomplished team, thus, providing their customers with market insights that are accurate, actionable and help them remain ahead of their competition.
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